It’s not COVID, it’s pollen

It’s April and officially summertime. Not that I count the year in months or in seasons. I count it by what makes me sneeze.

We’re in birch, having come out of a long hard willow, and am dreading moving into oak, plane, oil-seed rape and a long hot grass, before moving into mould spores and heading into Christmas (when my wife says I’m allergic to opening my wallet). These, on top of unseasonal pets, air fresheners and, quite frankly, life.  Not to mention reactions to dust that is invariably brought on by talk of doing housework.

I know when all this started. I went strawberry picking to make money as a teenage student, during which I amused myself by successions of twenty or more sneezes in almost as many seconds. Fifty years on, the novelty has worn off. I’m told allergies are supposed to diminish as you get older, but I’m running out of time to find out if that’s true. I have this image of a crematorium chapel at my funeral. As the curtain closes to my wife’s selection of music (I’d expect Linda Rondstadt’s You’re No Good or Elton John’s Better off Dead), from inside the casket comes the sound of me, still sneezing.

But I have a more immediate problem. When I’m outside, freed from the constraints of lockdown but surrounded by people still in fear of COVID, people don’t take kindly to someone suddenly sneezing uncontrollably nearby. I might try to wheeze, “Don’t worry, it’s not the virus,” but they’ve normally already scattered – and I’m not sure they’d believe me if they’d stopped to listen. Boris is pushing for a vaccine passport to get access to clubs and events. I need one to wave when I convulse with sneezes. And don’t even mention what it’s like wearing a mask when this happens.

I’ve had all the treatments medical people can offer, (left – and some!) and I’ve tried a few of those that non-medical people propose as well. The only cure seems to be when I repair to the darkest, deepest space beneath our house.

Which just happens to be where I keep my record collection. And as my wife has just remarked that the stair carpet looks in need of vacuuming, I can feel my eyes and nose itching and a convulsion approaching.  So excuse me while I head off downstairs. I can already hear Paul Simon’s song Allergies in my head. I may emerge when I’ve played an album or two!

If you thought this post vaguely interesting, you might like Richard’s hearwarming debut novel, Homeward Bound, a story of family, ageing and ambition. With a bit of music! https://amzn.to/3mI9MpB

Music with a message for our times . . .

An album and two singles with titles that sum up these distressing times

. .

My novel, Homeward Bound is available from Amazon and Waterstones online.

What Rebecca’s Read wrote: “Homeward Bound” is a funny, feel-good read that I’d highly recommend. With music intertwined throughout, this is a story of family, love, hope and dreams and finding your purpose at different points in your life. 5 stars!”

Performance of perfection?

Looks great, can you make out what they’re playing?

When was the last time you went to a music gig? What was it like? What as the music like? I went to one recently, half decent position, standing to one side. The sound was poor – loud, unclear and unbalanced – the vocals lost in the bass. At not much change from a £100 a ticket. What’s more, they didn’t play the songs I wanted and quite a few I didn’t. At home, I have them all on records and CD – and in unsurpassed quality. In the comfort of my own living room.

That’s why I don’t go to a live gig for the music. The recorded version is the real deal, perfected for listening by the artists and producers after many hours in a studio, only signed off when everyone is satisfied with it. And it can be listened to again and again. And listen is what I do, invariably with my eyes closed, putting pictures to the sound. A gig’s not about what you hear. It’s about being there – the ambiance, the excitement, the energy. The performance is unique but the music’s rarely memorable. They offer you alcohol and then pump up the volume to lift your spirits and create an experience. What’s on stage? Forget it!

Bands must know this. Otherwise, when they put out a ‘live’ album, why do they spend hours in the studio, perfecting the performance before it’s released? In the studio, the microphones are positioned to maximum effect, multiple tracks overlaid in the mix, final masters completed in front of top of the range studio monitors.  At the gig, they know they can’t reproduce the studio sounds. What counts is setting the mood and blasting the audience away.

So let’s get this straight. Gigs are good if you want a lift and an experience – at least, so long as you’re in a decent spot, preferably near the front, where the atmosphere can envelop you and the people next to you aren’t discussing the trouble they had getting to the venue. But studios are where real music is created. I don’t care if it involves trickery in production, with auto-tuning, multiple layers and double-tracking. This ‘perfection’ is what most performers are aiming for.

Of course, I couldn’t live off, ‘I saw Jimi Hendrix live’ for the next forty years if I’d not been to one of his gigs, but my memory is from watching him play. That’s not music. It’s a different kind of craft. If you want performance, go to a gig. If it’s musical perfection, stay at home.

Richard’s novel, ‘Homeward Bound’, telling the story of a seventy-nine year-old wannabe musician and his eighteen-year-old granddaughter is available now from bookshops and online. To find out more, click https://richardsmithwrites.com/blog-feed/

Want to know about the book?

For those who don’t know about Homeward Bound, I talk about it to Hannah Murray on Talk Radio Europe‘s Book Show. You can hear it Wednesday March 4th from 6pm (UK time) and repeated Saturday 7th from 7pm (UK time). https://www.talkradioeurope.com/the-book-show/

And in the meantime, I talk about it here . . . .

Of course, if you’ve already bought the book and read it, please hang on for a new and different blog!!

High Street is best – but Homeward Bound is now an e-book

For those of you who prefer screens to paper,  Amazon.co.uk now has Homeward Bound as an ebook https://www.amazon.co.uk/Homeward-Bound-Richard-Smith-ebook/dp/B084G6NXF6/ref=sr_1_4?keywords=homeward+bound&qid=1580811121&s=digital-text&sr=1-4.

And it’ll start to appear on other sites too. But of course, the best place is a bookshop. I always urge people to use the High Street. For me, there’s nothing better than browsing – well, browsing books and records. Not when it comes to clothes and shoes which are high on my list of things to avoid!

Below is a link to an interview I did with the Islington Tribune.

http://islingtontribune.com/article/highbury-authors-vinyl-destination-a-novel

Three questions about music

“I’m now going to play some songs from my new album.”

It’s the expression that strikes fear into every concert-goer.  We want the hits, the songs we know. Why do they do it? Why do we go?

Why do people go to gigs and then spend half the time talking or at the bar?

Why do musicians spend months recording, using the best facilities, mixing on giant studio speakers, only for people to listen on a squawking Alexa speaker or on ear buds as background noise to the sound of a train?

These and other issues will be my blog for the days leading up to publication of my novel, Homeward Bound, about two people divided by time and music.

Homeward Bound

What’s it all about?’

Tara is eighteen. She’s a musician, about to start uni and hoping for her lucky break. George is seventy-nine. As Tara’s grandfather, he’s expected to be in retirement but in truth, he’s not quite ready to close the lid on his dreams.

When he finds himself on a tour of retirement homes instead of the cream tea at the seaside his family had promised, it seems his story might prematurely be over.

He finds an answer by inviting Tara to share his house, along with his memories and vast collection of vinyl records. He thinks he can teach her about music. She just wants to get on with her own life.

What unfolds are clashes and unlikely parallels between generations – neither knows how to work a dishwasher – as they both chase their ambitions. But when the past catches up with George, Tara has to make the same life-changing decisions her grand-father faced six decades before.

Where you can buy Homeward Bound

It’s published by Matador in paperback, RRP £10.99, and on Kindle ISBN: 9781838591595 online as well as all good bookshops.

What people are saying about it

Blogger What Rebecca’s ReadHomeward Bound is a funny, feel-good read that I’d highly recommend.’

Helen Tovey (Family Tree): ‘Blurbed as a story telling of the ‘clashes and unlikely parallels between the generations’ this novel caught my eye, and what unfolded was a poignant, very believable story, laced with reminiscences (particularly if you’re a music lover you’ll enjoy the references), twists in the plot, and loveable and interesting key characters in Gramps and granddaughter Tara. An enjoyable read that reminds us of the passing of time and the value of family.’

Selection of initial comments from Amazon, Waterstones and Goodreads

Peter W

 ★ ★ ★ ★ ★ Very enjoyable read

I really enjoyed this book. Although it will clearly appeal to music fans of my generation (over 65) who will appreciate the way Richard skillfully weaved the many music references into the story, the book will appeal to younger readers too. The central premise that young people should take every opportunity to follow their dreams is very poignant. It wouldn’t take much to turn this book into a film script.

R Mackinney

★ ★ ★ ★ ★ It was amazing Fun interesting warmly written book really enjoyed it and love the fact that there is also a Spotify playlist of all the music references available on the author’s website

Mr G.

★ ★ ★ ★ ★ A pleasure to read whether as a reflection on life or a distraction from it!

A pleasure to read whether as a reflection on life or a distraction from it! Well done Mr Smith on your debut. (Format: Kindle Edition)

Chris O

★ ★ ★ ★ ★ A Great Read

Once you have started reading this book it’s hard to put down. It’s an excellent first novel with some great music references and some important messages- not least , the close relationship between two people from very different generations who have a lot more in common than they might think and the importance of having a purpose in life and taking a few risks to follow your dreams. Looking forward to the next one !

CherylWillis

★ ★ ★ ★ ★ Lovely poignant novel

I really enjoyed this novel, amusing and sad all rolled into one.

Mr. S. J. Thorpe

★ ★ ★ ★ ★ Great Page Turner!

When I started to read this book I didn’t really know what to expect but I very quickly became immersed in the narrative of two people united in their love for music. You get no spoilers from me but needless to say the characters are likeable and their journey is both fascinating and poignant. Highly recommend you invest some time with this novel, you won’t regret it!

Eco bunny

★ ★ ★ ★ ★ Real page-turner

This book is a lot of fun – I read it in two days, finding it hard to put down. Richard Smith’s dialogue is fantastic! It’s a family drama, but will be especially good for anyone who loves music as they are sure to enjoy the parallel experiences a grandfather and his granddaughter adjust to the next stage of their lives. If you enjoyed “Elizabeth is Missing” or “The 100 year old man who climbed out the window and disappeared” then you’ll like this. Humane, witty, super-readable, enjoy.

fusionchuckle

★ ★ ★ ★ ★ Wonderful first novel

What a wonderful first novel. The main character George is a loveable chap and his relationship with his granddaughter is heartwarming. Great read, looking forward to reading more from Richard Smith.

Peter Thombs

★ ★ ★ ★ ★ Music lovers, enjoy! Reviewed in the United Kingdom on 25 February 2020Format: PaperbackVerified Purchase A wonderful book which took the reader on a special journey. A simple but well written story line with a musical treasure trove of memories. Couldn’t put it down.

Becky

★ ★ ★ ★ ★ It was amazing

I got this book as a gift and found it really enjoyable and hard to put down. It’s a story of music, relationships, dreams and realities.
The author managed to bring the characters to life in a way that had me totally invested – I was really annoyed by one character’s actions, which to me is a sign of a well-written book.
I really enjoyed the musical references too; some I recognised from my parent’s era, some were current that I knew and some I looked up on the book’s Spotify (available from author’s blog page) which brought the story to life further! I’d definitely recommend it and think it could also be a good one for book groups too – lots to discuss

Pat Cooper

★ ★ ★ ★ ★ Couldn’t put it down

This is such an enjoyable read . The main characters are warm and believable. You feel for George and Tara and want them to be happy . The book is full of musical memories which was an added enjoyment . Overall a book about love and family and well worth reading . I am sure to read it again , I enjoyed it so much .

Claire Smith

★ ★ ★ ★ ★ Engaging work from a new author

Heart-warming but not sentimental story dealing with the issues of older age and inter-family relationships particularly that of a teenage girl and her grandfather. It is told with a wry sense of humour.
Also great for people who love music as lots of references to familiar songs but all within the context of a well developed storyline. Made me dig out my old record collection and reflect on the power of music in life; and how complex and interesting family relationship are.